Friday, March 22, 2013

PurrView #67 - High Times on Lowly Streets

“High Times on Lowly Streets,” the third release from post-punk folk/Americana outfit Coastwest Unrest is an account of perpetual introspection and reminiscence. With lyrics full of sincere similes and poetic nostalgia, the album is slower, more mature, and more melodic—yet more intense in its own ways—than Coastwest’s prior releases.  
With lyrics, “The smell of old sage makes us think of rain… all these things we’re remembering… as we make amends with our enemies,” opening track Remembrance of Things Past is equal parts chaotic and melodious, and sets the tone for the 11-song record. On fourth track, Still Frightened, guitarist/lead singer Noah Dickie’s sweet voice imparts a tale (or a metaphor) of a burning house, as a hint of a metal-scream floods the background toward the end of the song. Lighthearted track Henry Miller Library Incident elicits a yearning to jump in the truck with your sweetheart and go for a drive as Noah croons, “We are restless but time is our medicine... These are days we could have never imagined.” 

As he sings, “I’m haunted by your good-bye and everything thereafter,” on track Fortuitous Disaster, an account of a “sad state of affairs” that most of us know all too well comes to mind—the bittersweet resolution of a relationship that’s run its course. Catchy, heartfelt, and perhaps my favorite song on the album, I couldn’t help but sing along to lyrics, “Hey! It’s us against the world again, but our hearts are where they’ve always been,” on eighth track, Lost & Damned, as early as my first time hearing it. Just as unpredictable, soothing and chaotic as it began, the album closes with its eponymous eleventh track; homage to the highs and lows of Las Vegas.  
Throughout the record, the pleasing sound of Alex Barnes’ violin takes the aural senses on a swooping ride like a bird on the wind, especially on ninth track, Sincerely, Strongly, Completely, another favorite of mine on the album... especially because it nods to the haunting nature of Coastwest’s albums past. Drummer Josh Dickie’s rhythm and intuitive syncopations keep the pulse and murmur of the album’s heart. If there was a record from this band that is most sing- and hum-along worthy and fine tuned to please a broader spectrum of listeners, this is it.

COASTWEST UNREST – “High Times on Lowly Streets”
1.Remembrance of Things Past
2.Empty Handed Painter
3.The Wire Birds on Charleston Blvd
4.Still Frightened
5.A Pairing Gift
6.Henry Miller Library Incident
7.Fortuitous Disaster
8.Lost & Damned
9.Sincerely, Strongly, Completely
10.Where Will You Go Tonight
11.High Times on Lowly Streets
 Kudos to Coastwest Unrest on their third studio release, due out April 23rd under Reclaim Records.
~Meow~
Pennies


Wednesday, March 20, 2013

PurrView #66 - Pennies About Town


It’s been a whirlwind year right from the get-go. I started working full time at a Las Vegas media company at the beginning of January, so it’s back to the daily grind pour moi in 2013. My blogging’s been scarce, but that’s because my schedule hasn’t been. What have I been up to? Besides work and studies, I’ve been out and about enjoying the pleasures of the “neon playground.” Here are a few of my recent stops…


COMMONWEALTH
I love this steampunk/speakeasy lounge located Downtown at Fremont and 6th. I live down the block (Yay, walking distance to the bar!) and gotta admit that my bosses are part-owners. But despite my valid reasons to immediately be partial, it’s still my favorite new joint in the Fremont East District for reasons unique to the establishment itself. The rooftop area overlooking Fremont Street provides Instagram-worthy views of Old Downtown. The hand-crafted vintage/Americana motif is impressive—complete with decoupage walls and drink menus, eerie paintings, and random (non-operating) steam-powered machines. There’s even a trap door on the first floor that leads to a Prohibition-inspired secret space dubbed the “Laundry Room.” CommonwealthLV.com


PINK – THE TRUTH ABOUT LOVE TOUR
I've never really been much of a fan of Pink. But as I checked her out at the Mandalay Bay Events Center for the second stop on her The Truth About Love Tour, I realized just how many songs of hers I knew the words to. Radio has apparently drilled more than half the songs in her set into my head over the past decade or so. All in all, it was a great show. She has wicked chiseled abs, as well as agility and acrobatic talent to match her strong vocals. Check out my review of the show at VegasSeven.com.


BOYZ II MEN
The latest throwback musical act to jump on the Las Vegas residency bandwagon put on one hell of a show at the Mirage. Three of the original members of Boyz II Men crooned their ‘90s babymaking hits, and also threw in a Motown montage to add even more heart, soul and rhythm to the poppin’ show. I was there for the debut performance, and the vibe in the crowd felt more like a party than an audience at times. Just about every woman (and even some guys) sang along, clapped and bobbed their head to the Boyz’ memorable R&B hits. Nathan Morris accidentally kicked over his mic stand mere seconds into the first song, but after a quick recovery, it was smooth sailing the rest of the show. The performance had everyone in attendance leaving with a smile, including me and Chumlee! 



 LOBERACE
I love Cee Lo’s music, but Loberace was only so-so. His eclecticism—which I admire dearly about him—ran rampant in his limited-residency show at Planet Hollywood. For the most part homage to his favorite songs, the performance was all over the place, and even at times boring. Like I said, I love Cee Lo’s music, but I do miss the Goodie Mob days—which is why the highlight of the show for me wasn’t Cee Lo walking around barefoot, dashiki’d and rhinestoned-out with 10 female back-up dancers; it was when Goodie Mob (Big Gipp and all!) joined him onstage for a song, clothed in bedazzled, white gospel robes. Not the best, but not a bust… this performance was just “pretty good.”  


RAACK N ROLL
It’s respectable how simple and honest this topless revue at The D was. Each of the six dancers had their own physique and style. Perhaps more cut out for burlesque than shows on the Strip, these girls were talented and, well, normal. They did have great moves, engaging stage presence and nice boobs though. A Robert De Niro impersonator provided decent comic relief, and rock and roll such as AC/DC, Motley Crue and Nickelback set the tone for the performance. Not a bad show if you get comped tickets.  ;)      

 NEON TREES
I was invited to an X107.5 Studio X session last weekend. Basically, the radio station hosts intimate, in-studio performances with bands such as Owl City and Fun.—this time featuring Provo, Utah’s own pop-rock act Neon Trees. Myself and a handful of contest winners got to catch the band play their three most popular songs, Animal, Everybody Talks, and Lessons in Love, acoustic. We even got to meet-and-greet, grab an autograph and snap some pics with the band.  
Greetings from Las Vegas... Wish you were here!
~Meow~
Pennies

Friday, March 8, 2013

PurrView #65 - DTLV Open Call


Hey Inksters! Come one, come all... as long as your ink isn't cheesy and you're NOT camera shy! ;)
~Meow~
Pennies